A film programme organised by the Department of Digital Art (University of Applied Arts
Vienna, UBERMORGEN).
Today, a handful of tech monopolies shape the digital
infrastructures in which collective narratives emerge.
Content is constantly being generated, gestures are repeated,
memes mutate, and as we scroll, the question of what gives rise to these forms and who determines what becomes visible recedes
into the background.
The works by students in the Department of Digital Art focus on practices of navigation, sharing
and staging: a faceless selfie, a community of believers centred on a tofu creature, a dream that interrupts routine before
it swallows us whole.
To kick off the programme, Karin Ferrari’s work
DECODING Katy Perry’s Dark Horse
(THE WHOLE TRUTH) offers a broader perspective on digital logics and the production of reality.
With
contributions from: Anton Paievski, Sei Jeung, Ghanishka Kedar, Dongjoo Kim and Karin Ferrari (Guest lectuerer during
the semester) in cooperation with Ursula Blickle Video Archive.
Organised by Tina Kult, Stefanie Reisinger-Poovathinkal
and Maja Kristufek.
Programme:
Welcome
Film programme:
Karin Ferrari
| DECODING Katy Perry’s Dark Horse (THE WHOLE TRUTH) | 2016 | 20’35
Anton Paievski | like, subscribe, share | 2026 |
3’01
Sei Jeung | Tofuism | 2026 | 15’52
Dongjoo Kim | Retrouvailles (Reconnection) | 2026 | 4’30
Ghanishka
Kedar | Stayin’ Alive | 2026 | 5’
Q&A with the artists
